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三浦綾子原作。裕福だが滅茶苦茶な家庭で育った思春期の少年のヰタセクスアリス。若尾ちゃんは少年が憧れる牛乳屋の女主人。他の登場人物がみんなエキセントリックなだけに若尾ちゃんに求愛する緒形拳が実に真っ当な人間に見え儲け役。この年、若尾ちゃんは最愛の父と死別し、５年間連れ添ったデザイナーの夫と離婚している。
Masumura's 40th film, for which he collaborated on the script, shows plot irrationality perhaps due to the newspaper serial original, perhaps to the adolescent behavior he portrays. The extremes of self-sacrifice in some of the characters such as Hisayo and Sugiura contrast too sharply with the animal brutality of Sasabayashi and Namie, and the result is more caricature than realism. The harsh selfishness of Ichiro¯ and the abrupt techniques used to present his interior thoughts (double exposure of a naked Yuri as he undresses her with his eyes) prevent him in the end from winning audience sympathy. Part of a late sixties trend toward adolescent sexuality subject matter.
