这部作品跟《男孩就是男孩》(Boy is a Boy ,1980)都大量使用变型与透视空间转换的手法,以抽象的方式探讨个人(或民族)追寻自我认同的困惑与矛盾。
A clown adopts a talking stray cat who is also a shapeshifter. The cat assists the clown on stage, where he loves the public's ovations.
戏子有情,浪子回头。
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